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DistroKid

The default independent distributor. Fast, cheap, and a ceiling.

Correct for first records. Wrong forever if you start needing radio, advances, or a human.

Apparition

DistroKid gets music onto DSPs quickly for an annual fee, lets you keep 100% of royalties, and will issue ISRCs if you do not have your own prefix. That is the pitch and it is true. The limits: customer support is a form, YouTube Content ID is a paid add-on with caveats, and partners (publicists, radio, DSPs' human teams) still treat a DistroKid email as 'no label.' Use it to ship. Graduate when you need someone to answer the phone, collect neighboring rights properly, or pitch editorial as a partner — AWAL, a boutique distributor, or a label license.

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Musical context, the business around it, and what to do next.

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